| Ken
Takashi Horii's
most recent sculptures and drawings revolve around the
objective of resolving dualities as a conceptual framework.
This series incorporate three-dimensional and pictorial
formats of two branches of Tantric Buddhism, while at
the same time, referencing Rorschach ink-blot tests for
an inquiry into allusion and illusion in Eastern and Western
concepts of perception.
Continuing
to cultivate his preference for thematic series and also
his concern with the reconciliation of opposites, Horii's
work realizes his conceptual objective in his process
and all related outcomes. These include his choice of
materials, techniques, forms and historical references.
The work will include wall-mounted and free-standing sculptures
made of Baltic birch plywood, absorbent ground and hand-ground
Japanese sumi ink. He will also be presenting folded paper,
and sumi ink drawings on wood and paper.
Ken
Horii received his MFA from the University of Wisconsin-Madison,
received his BFA from Cooper Union School of Art in New
York and studied at the Art Students League in New York.
Currently, he is an Associate Professor and Division Program
Coordinator of Foundation Studies at the Rhode Island
School of Design. Horii has exhibited widely in Rhode
Island, Massachusetts, New York and Chicago. Most recently
his work was exhibited with artist Martha Moore at the
Lenore Gray Gallery in Providence. Horii is a recipient
of the Frazier Award for Teaching Excellence from the
Rhode Island School of Design and is also a two-time recipient
of the Rhode Island State Council on the Arts Sculpture
Fellowship. Additionally, he has twice been a Visual Art
Fellow at The Fine Arts Work Center in Provincetown, MA
concurrently while working as both a Kenneth Stubbs Fellow
and Myron Stout Fellow.
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